SONIC ART
Sound, within Architecture of the Invisible, is more than an auditory experience—it is the sculpting of space-time. My compositions and sonic explorations exist at the intersection of structure and emotion, blending classical forms with contemporary approaches in film, electronic, and audio-reactive sound design.
Classical Composition – Works for concert halls that embody mathematical precision, harmonic architecture, and emotional depth.
Film Scoring – Sonic storytelling that expands cinematic worlds, weaving sound into the visual realm to create immersive experiences.
Electronic Music – Explorations in texture, rhythm, and synthesized environments where sound is shaped as a sculptural entity.
Digital Audio-Reactive Visuals – The fusion of sound and image, where frequencies and compositions influence dynamic visual landscapes.
Each sonic work is informed by an awareness of space, resonance, and movement—expanding how we perceive and experience sound as a living structure.
Since 2020 all my classical works are published by Universal Edition.
As a composer and artist, my musical expression is a fusion of diverse genres, drawing from classical, electronic, and experimental styles. I approach music composition like an architect, constructing intricate and multi-dimensional soundscapes, utilizing a varied palette of sonic textures, shapes, and forms. In my view, music is a holistic sensory experience, and as such, I strive to integrate visual design elements into my work, such as color, texture, and composition, to create a synesthetic interplay of sound and visual perception. Ultimately, I see my music as an expression of my individual artistic vision, a reflection of my personal creative inspirations and stylistic inclinations.
listen to selected projects ↓
Classical Music
A little selection of pieces I have been commissioned to compose for various musicians, ensembles and orchestras.
Electronic music
A little selection of musical explorations
Released Albums
combining the sonic and visual worlds into
