Born into the vibrant world of theater, I was immersed in the arts from an early age, developing a natural affinity for multidisciplinary expression. My formal training began at the University of Music and Performing Arts Vienna, where I refined my skills as a violist, and continued at the Academy of Fine Arts Vienna, where I delved into philosophy, deepening my understanding of artistic and intellectual inquiry.

Parallel to my academic studies, I cultivated an independent visual art practice, allowing me to bridge structured artistic disciplines with intuitive exploration. This creative duality, coupled with a fascination for consciousness, perception, and communication, ultimately shaped my doctoral research, where I sought to connect artistic intuition with philosophical investigation.

After earning my doctorate in philosophy and working as a freelance musician, I expanded into both classical composition and film scoring, synthesizing my diverse influences into a singular artistic vision. My work merges sound, concept, and materiality, creating immersive, multisensory experiences where each element informs and transforms the others.

At the heart of my practice is synesthesia—a perceptual phenomenon that allows me to experience sound as color, form as rhythm, and scent as spatial presence. More than just an inspiration, synesthesia is a method, a way of composing across disciplines that dissolves traditional artistic boundaries. Rooted in a Renaissance-inspired passion for cross-disciplinary exploration, my work reflects the interconnectedness of human creativity, translating abstract concepts into tangible, multi-sensory realities.